I thought a fitting end to my journey in Japan – and a good
beginning for my continuing journey in the US – would be to visit Japan’s most
sacred shrine in Ise, about 3 ½ hours by train southwest of Tokyo. It’s actually nearer Kyoto, but
it took me a while to realize this was an important trip to make.
A small shrine in the trees at Ise |
The Ise Grand Shrine (“Ise jingu”) is so important because
it is both Shinto’s most sacred shrine and the shrine of the Imperial Family. It is dedicated to the sun goddess, Amaterasu-oomikami, from
whom the Imperial Family is directly descended, according to Shinto mythology. Naiku, the Inner Shrine at Ise, is said
to house the Sacred Mirror, one of three sacred objects Amaterasu gave her
grandson, Ninigi (the others are kept in other shrines). Ninigi, in turn, is believed to be the
great-grandfather of Jimmu, who became Japan’s first emperor in 7th
century BC. As a result, Ise’s
high priest or priestess comes from the Imperial Family.
Crossing the bridge into the Ise shrine complex |
Uji Bridge |
A key feature of Ise is that its two main shrines – Naiku
and Geku, dedicated to the god of agriculture and industry – and the Uji bridge
are rebuilt every twenty years. The
rebuilding symbolizes the Shinto belief in death and renewal and the
impermanence of all things. By
using traditional techniques and building to exact specifications, the shrines
are always both new and old, fresh and original. The last rebuilding occurred
in 1993, so this year will be the next, and 62nd, renewal. (Yes,
that’s 1,240 years.)
Ise is actually a complex of 125 shrines located in a
13,000-acre forest of cedar and cypress trees. The trees are quite impressive – some are 3-4 feet in diameter and
many stories tall. My favorite was
a tree whose bark was leather-smooth from the hands of people who had stroked
it over the years. You could
almost feel the tree’s energy when you touched it.
In entering the complex, people pass under a simple wood torii to cross the Uji
bridge, then under another torii before they purify themselves at a large
covered pool. They walk up wide
gravel paths among the trees to the shrines, passing under a few other torii
along the way. The shrines themselves are simple and unadorned, made of cypress with steep thick
thatched roofs. They reminded me of the simplicity and
elegance I saw in the Emperor and Empress at last year’s memorial service for
the 2011 earthquake disaster.
Their roofs, peaked with supports crossing and angling upward at each
end, seemed reminiscent of samurai helmets. Because they are so sacred, virtually all are closed to the
public.
Naiku is at the top of a series of wide stone steps. It is hidden behind a wooden fence, with only its roofs visible. I followed the crowd there, behind a
group of pink-shirted pilgrims, slowly and patiently moving forward. Line by line, five or six came to a
curtained opening in the wall, made a coin offering, bowed twice, clapped
twice, prayed and bowed again before turning to leave. It was simple and moving.
It's surprising and amizing that you've understood the deepest part of our culture, the relation between Shintoism and Imperial family, based on our mythology. Some tourists would visit the shrine to enjoy its Japanesque atmosphre, but few might be interested in the prehistoric story of Japan. These days younger generations here have come to know nothing about it. The event of building the new sacred house in 2013 gave us a good chance to remeber the origin of our culture.
ReplyDelete