Saturday, May 12, 2012

Shikoku’s 88 Temple Pilgrimage: Temples, Nature, O-settai and Baths


Shikoku’s 88 Temple Walk was an amazing experience, part spiritual retreat, part nature hike, and part adventure.  We climbed long steep forested paths to suddenly find a serene temple, other pilgrims resting or praying, and a glorious view of the area beneath our feet.  We experienced great kindness, ate terrific food, and had marvelous adventures. 

The 88 Temple Walk, or “Hachijuhakkasho” as it’s said in Japanese, is a tour of the Buddhist temples that are associated with Kobodaishi, the founder of the Shingon sect of Buddhism.  Kobodaishi, who lived from 774-835, was a Japanese Buddhist monk, scholar, civil servant, and poet.  He is said to have visited or established each of the temples on the pilgrimage, which he supposedly walked himself.  Most pilgrims (henro) today do not walk the route, nor do they do it in one trip: it is long (1200 km or about 550 miles), arduous, mostly on paved road, with long distances between some temples.  Instead they bike, drive, and/or take the train. We, too, took advantage of buses and trains.  Regardless of how a person does the trip, or whether alone, with family, or on a tour, making the pilgrimage is respected and valued.

The Henro Garb.  My friend Gabriella and I were a bit dubious when we first donned our henro garb at Temple #1 in Tokushima:  a white cotton jacket, a conical sedge hat, and a walking stick.  We felt this all a bit silly, but as I put on the white jacket, I felt a calmness settle upon me.  The stick became a valuable walking aid and the jacket was good sun protection.  The hat was a mixed blessing – a great rain hat or sunshield, but useless in wind and bulky to carry.

Our henro attire was a signal to others – people knew us as pilgrims on sight.  We could easily strike up a conversation with fellow henro, ask where they were coming from and going to, or seek advice on the best route to follow.  People we met on the roads were invariably kind, helpful, and often impressed with our walking effort as well as our Japanese.  We were delighted, especially Gabriella who loves and is fed by being able to connect with people of different cultures.

Temples and Nature.  Gabriella and I chose to focus on the temples in the more rural areas of Shikoku, particularly the southern half of the island.  We settled into a routine:  up for a full breakfast at 6:30, then on our way:  often on roads through small villages and farmers’ rice fields, always with the mountains in sight.  In Shikoku's southern curve, we would walk near the vast Pacific, watching its changing color, the fishing boats, gazing outward to our left and up to the mountains on our right.  Frequently a temple was up in the hills, so we climbed through forests of “Yamamatsu” (mountain pine), tall stately old pines, deciduous trees, and sometimes bamboo.  We would hear the birds, sometimes a brook, always the thump, thump, thump of our walking sticks.  A hill temple was built so that you didn’t see it until you climbed the last steps.  Then suddenly it appeared on a flat clearing, several buildings, sometimes a lovely garden, and often a stunning view across the hills and to the sea.  Shikoku's mountains, sea, trees, temples, and spirit became one.

As we entered the temple grounds, we paused, then washed our hands using ladles at a stone basin filled with water.  We wandered the grounds and stopped at each temple to give thanks and contemplate a bit.  Sometimes we lit a candle or incense, sometimes listened to the chanting of other pilgrims.  Finally, we went to the “nokyo-cho”, the place where a Buddhist monk or hired person would stamp the temple seals and sign our temple book in flowing calligraphy.

We discovered that each temple had its own personality.  Those in the mountains were often the most serene, while those in the towns tended to be a bit more anonymous and matter of fact.  Some were lovingly cared for:  we arrived at one temple after a particularly arduous climb to find pilgrims relaxing under an arbor, a beautiful vase of flowers set in a niche in the temple wall, and a gardener shaking the last of the magnolia blossoms off a tree.  It was magical.

Nature being what it is, we also walked through mist and rain, Gabriella in a huge flowing Kermit-the-frog green poncho, and I in my subdued “ready-for-the-city” mud brown Muji slicker.  The worst day was a hard, all-day rain when we traveled east to west past Kochi.  It was raining so hard that the innkeeper arranged for a couple to drive us down to the train to and beyond Kochi.  To get to our hotel, we had to walk along the shore, the sea an angry grey with waves pounding, then across a bridge to the ­­­­­­­­­­Yokonami Peninsula in driving rain.  I, who had stopped in Kochi, clutched rolls of hand-made paper I had bought, carefully wrapped in clear plastic, held my rain hood close, and bent my body into the wind. Gabriella and I each arrived looking like drowned rats, our feet and pants soaked.

Lodging.  Where did we stay?  If we could, we stayed in “shukubo”, or temple lodging.  We had a lovely, spacious tatami-mat room and fabulous, large, tasty dinner and breakfast with the other pilgrims who were staying.  Sometimes we stayed in “minshuku”, Japanese guesthouses, varying from lovely to a bit tired and worn, but friendly and with good food.  A couple of times we stayed in traditional Japanese ryokans, one a 120-year-old house that had been in the family for three generations and was run by an elderly couple.  In Uwajima and Matsuyama, towns in northwest Shikoku, we stayed in youth hostels, friendly places with a mix of guests:  young, old, and some families.  Other than the hostels, which were full during Golden Week, we ranged from being the only guests to one of several.  That gave us, particularly Gabriella, the opportunity for many good, one-on-one conversations with our innkeeper and fellow guests.

The O-settai Tradition.  “Never refuse an act of kindness” is a henro precept; it is inconsiderate and a rejection of the giver.  O-settai is a gift given to pilgrims, sometimes by other henro, often by people you meet on the road.  We were grateful beneficiaries.

We often received food as o-settai:  one man came out from his truck to greet us with hard boiled eggs, while another gave us a bento lunch.  Many gave us mikan, a tart and juicy orange/lemon citrus fruit that grew all over southern Shikoku.  One time when we were lost in a citrus grove, the man who helped us gave us each three mikan, luscious but heavy for us back-packers.  We returned the favor by giving some to others we met.

Sometimes we received services:  on that rainy day up in the mountains, the couple who drove us to the train station did it as an o-settai.  The man from the citrus grove drove us in his truck down the valley to the road we were looking for.  Later that same day, a man and his 9-year-old daughter saw us seated on a bench near the road, hot and tired.  They walked over and we began a conversation, learning that his daughter was the piano student we had heard earlier.  He invited us to his house nearby, where his wife served us iced tea on the veranda and he filled a tub with cold water to soak our feet.  Their house was beautiful and lovingly done: in a western style, it was designed and built by a westerner who was there on home stay while his wife taught English in the village school.  Inside was a hand-made wooden dining table, a tatami family room, and lovely wood cuts from the region.  We were so thankful, not just for the tea and footbath, but for the opportunity to talk and see their home.

Ofuro, the Japanese Bath.  There is nothing in the West that is quite like a Japanese bath:  it is fun, cleansing, relaxing and luscious. We looked forward to it at the end of each day.

In a Japanese bath, you first sit on a stool and clean yourself thoroughly, using a hand shower or a  bowl to pour water over you.  You wash your hair, your body, taking as much time as you want to make sure every pore is clean and fresh.  Then, after rinsing yourself completely, you step into a hot water bath.  Ideally the water is 43ºC (about 100ºF) and sometimes the water is from a hot springs.  You can sit in the water as long as you wish, sitting on a small step, going neck deep, or if the bath is large enough, walking around.  If you’re Gabriella, you also swim, grinning from ear to ear.

The smallest baths we had were in tubs just big enough for the two of us to fit, face to face, legs bent up to our chest.  Many were a shallow pool big enough for several women to lie comfortably facing each other.  At the hotel we stayed at after that horribly rainy day, the bath was half indoors and half outdoors.  We went outside under a covered area and watched the raindrops splashing into the pool beyond.

The biggest and most fun bath we visited was the Dogo Onsen, a famous old bath in Matsuyama, near the youth hostel where we stayed.  It’s a huge wooden facility with a receiving hall and separate changing room, shower, and bath for each gender (as was true everywhere).  We were there during Golden Week, a major Japanese holiday, so the onsen was crowded.  There were lines of people waiting to buy tickets, often dressed in their hotel’s yukata (robe), happi (warm jacket), and slippers, carrying a little basket with their towel.  In the bath there were women of every age, size and shape, all comfortable in their nudity.  I watched a young girl standing, waiting to step in next to more matronly types. I saw a woman almost doubled over with osteoporosis, spine jutting out, walking on sticks of legs with equally thin arms, with a kind face and curiosity and delight in her eyes. Despite the crowds, everyone was having a good time.  The women were laughing, chatting, walking in the pool, making room for others.  In fact, the only uncomfortable person I saw was a young, heavy American woman, who looked like she wasn’t quite prepared for this scene from an Impressionist painting.

Regardless of its size, sitting in the bath is a time to rest, relax, and chat.  When you feel sufficiently rejuvenated or too hot, you get out, towel off, and dress.  Every muscle in your body is relaxed and your skin feels like it’s been kissed.

Next blog:  Shikoku adventures and food!

Tuesday, April 10, 2012

Traditional Japan: Cherry Blossoms, Archery, Weaving and Poetry



Ueno Park, Tokyo
Sakura!  Japan's delight in springtime and sakura is palpable.  With them, I have watched expectantly as the cherry blossoms bud, expand, peek and then burst forth.  Like them, I have strolled the parks and gardens, oohing over the beauty of the individual blooms and the expanse of trees – “sugoi!” – and taking pictures.  There are thousands of trees – in city parks, along canals, nestled in nooks between houses or in front of office buildings, moving in waves along and up Japan’s hills.  There is nothing like it in the US. 
 
Imperial Palace, Tokyo
Along a canal in Kyoto
The Japanese celebrate sakura and springtime in a big way.  It is the time when the weather suddenly becomes noticeably warmer; the cherry trees bloom all at once, and in two weeks are gone.  It is a time of new life, new growth, and is Japan’s most important seasonal event.


It was fun walking in the big parks of Tokyo (Ueno near the Imperial Palace) and Osaka (the Osaka castle grounds and nearby canals) and watch the throngs of people strolling through.  In both, blooming cherry trees arched across wide walkways.  The walks were hung with lanterns and on the sides were big blue plastic tarps laid or taped down, places where people could come and picnic.  People came in the morning to stake out their space, bringing food, barbecuers, and beer to gather and celebrate together.  In addition to the picnic tarps, the city authorities provided huge containers for different kinds of trash. 

I had the most wonderful time going on a sakura tour in Chiba prefecture, southeast of Tokyo.  My friend Sara had introduced me to friends she had met when in Japan, Munehara and Shigeko Tokura.  Shigeko invited me to join her “tanka group” (more on that later) to visit Minami Bōsō Park and other areas on Chiba’s southeast coast.  We saw hundreds of cherry trees in bloom:  in a small park overlooking the sea, on the grounds of another town’s castle, and lining both sides of a river and climbing up the nearby hills.
 
As others did, we bought bento lunches and picnicked on the small picnic tarps the group had brought along.  We listened as different groups played traditional Japanese drums, to my ear a mix of American Indian and jazz.  We wandered among the booths of traditional crafts and foods before heading off to another park.  At night, we stayed in a traditional ryokan and had a fabulous multi-course meal.  Afterwards, we sang karaoke:  a person’s song could be programmed into the television, and a lovely scene, the music, and the words in Japanese appeared to guide the singer and audience.  I sang “Do Re Me” from “Sound of Music” with the others clapping and laughing along.


As we continued our tour the next day, we stopped to look at traditional terraced rice fields descending the hills.  Machines farm most rice fields today, but these plots are too small.  
And the unexpected joy – riding on the bus back home at the end of the weekend, watching the sun set over Mount Fuji.  (The picture here is from the Shinkansen the next day on the way to Osaka.)  I think the tanka group had as much fun watching me delight in the view as I did in seeing it!

The Stately Zen of Archery.  During my visit with Muneharu and Shigeko, Mune, who recently retired from a career as a designer in a major marketing company, had arranged for me to watch his archery class.  I sat in the judge’s area inside the practice stage, where I correctly sensed no pictures would be permitted.  There were 15 archers ranging in age from 45 to 90, at different skill levels.  Seven were women.

Archery is a combination of ritual, form, meditation, and sport.   Each person is dressed in traditional garb:  black pleated wide-legged pants with a kimono-style top that varies according to one’s level of mastery:  short-sleeves for the beginner, three-quarter sleeves for an intermediate, and a black or maroon kimono style for the higher level(s).  Each archer has his own bamboo bow, with the tension varying between 15 and 30 kilograms (roughly 33-65 pounds), and his own bamboo arrows, which can cost up to ¥10,000 (roughly $120) each.



Osaka Castle
In a stately, strictly-followed and silent ritual, each archer approaches, kneels and waits for the people shooting to finish.  He/she then approaches the shooting line, turns, sets his feet, carefully positions the arrow in the bow, and lowers them to wait his turn.  At the proper moment, he slowly raises the bow and arrow above his head, then lowers them to the proper height, pulls back the arrow and aims, pauses, and finally releases the arrow at a target about 30 feet away.  Without expression, each archer lowers his arms, brings the feet together and the process is repeated for shooting the second arrow.  As each person finishes, he/she turns, walks to the back of the area, and turns and bows if leaving.  Then the next row of six archers, who have been kneeling patiently, rise and walk to the front. 

Mune explained that the bow, shaped like a “}”, is very hard to control.  Mastering archery involves positioning the body, form, breathing, timing, and release.  Together they are designed to help focus all of one’s energy and mind on the shot.  Archery is part meditation, part sport, where form, from entrance through release and bowing as one leaves, carries as much weight as the accuracy of the shot itself.  Mune, who has been studying archery for four years, said he spent his first six months learning the proper form, strengthening his body, learning to breathe and hold the bow and arrow, before he could go into the practice area and shoot.  The arrows first went in different directions until he learned to control the bow and arrow enough to hit the target.  

Shigeko Tokura
Ikat Weaving.  Mune’s wife, Shigeko, weaves excellent ikat that she has exhibited.  Ikat is a traditional form of weaving that is found in Japan, Indonesia, along the Silk Road in Asia, as well as Latin America.  In ikat, the warp (long vertical thread) is dyed before it is put on the loom.  According to a pre-determined design, the area that will be dyed is wrapped so the color does not seep through.

Shigeko specializes in double ikat, where both the warp and weft (the horizontal thread) is dyed before it is used.  She creates a design, then lays it out on graph paper to scale, roughly 30” wide and several meters long.  She uses her design to determine how long the dyed and undyed portions will be, then wraps and dyes accordingly, sometimes using several colors.  As she weaves, crisp geometric shapes form in beautiful patterns.  It is difficult, absorbing, and special.
 
Philosopher's Walk, Kyoto
Tanka.  Tanka is a traditional form of Japanese poetry.  We know of the 17-syllable haiku; tanka is a five-line poem of 5, 7, 5, 7, and 7 syllables.  Shigeko started taking a tanka class four or five years ago, and her sensei (teacher) invited her to join her tanka group, ten women and two men who live in the Yokohama area.  They meet once a month, each contributing two tanka. The members discuss how well the poem conveys the feeling the author intended, word choice, and beauty.  Shigeko explained to me that good tanka conveys a feeling beautifully and clearing, sounds beautiful to the ear, and looks beautiful on paper.  Both kanji (Chinese characters) and hiragana (Japanese phonetic characters) are used in combination:  because kanji is considered “hard”, and hiragana “soft”, it is the combination that makes for a beautifully written poem.

The Tanks group
Shigeko helped me write my first tanka in Japanese, which the group thought was a good first effort.  Here's the English translation: 
For the first time:
Japanese sakura,
Spring spirit,
Minami Bōsō,
Meeting friends.  Fun.

Sunday, April 1, 2012

Kyoto's Spirit


Kyoto is full of Shinto shrines, Buddhist temples, and gardens that are part of its soul.  It is impossible for me to describe the spirit they convey, so instead I will try to do so in pictures.

 
 






 
I’ve tried to limit the number of typical shrine and garden shots and instead show you some of what most affected me:   

-the calm of a simple bell, the energy of color and light;



 
- the quiet intense beauty of a sand garden;

- the careful details;







 - the vistas that seemed to extend forever; and the care and minute attention of a gardener.








Last, here is an example of how Kyoto affects its artists:  a vase by Zenji Miyashita, a leading contemporary Kyoto potter, and Kyoto at sunset.

Saturday, March 17, 2012

First Look at Osaka


Osaka Station area
Osaka from the ferris wheel
Osaka is a huge modern city of 9 million people, quite different than where I've been the last 6 weeks.  Throngs of people are going every which way, there are tons of skyscrapers, some quite interesting.  Osaka Station, a huge complex in the midst of a major revitalization project, has two train stations, at least 5 other subway or private train lines coming through, bus stops n front, several department stores, a hotel or two, multiple restaurants, and some shopping arcades.  It makes Grand Central look small!

Alfred Manta Ray
I spent much of my first full day here down in the port area, visiting the Osaka Aquarium, designed by Tadao Ando.  But first, I went on the ferris wheel, one of the world’s largest it says.  It was just fun – reminded me of the London Millenium Wheel – and it was a great way to see the city from above.  

Part of Aquarium fac
The aquarium was terrific.  It is more than a zoo for fish, for it also had animals that live near or on the water.  There was a gorgeous white duck with a little bit of black trim, a fluffy white heron, and of course, penguins.  There was a big green iguana from Ecuador and a capybara, the world’s largest rodent at 130 cm (roughly 50”) long and 70 kg (150 lb) in weight!  My favorite, though, was the Alfred Manta Ray, gracefully swooping through the water, a fish getting a ride on its back.  It was fascinating to see animals I’d never seen before or didn’t know even existed.  There are more on Facebook if you want to see them.

Yayoi Kusama, Tulip Installation
National Art Museum Entrance
In the afternoon, I had a “first ever” experience that I suspect has rarely occurred anywhere:  I went to see the National Museum of Art and found that its entire exhibition space – its special exhibition of Yayoi Kusama’s recent work and its “Collection” exhibit – was of female artists since WWII.  I have never seen an all-female exhibit of work in the arts, which like many fields is predominantly male.  Kusama is a rather eccentric artist whose work I first saw in Naoshima several years ago.  She was part of the New York art scene in the ‘60’s, paints polka dots almost obsessively, though her new work here was more organic and wild.  The Collection exhibit , which was quite good, had roughly half Japanese, half western artists, though interestingly no one’s home country was listed.

Minami area shopping street
Pachinko Parlor sig
On Saturday, I decided to wander in the shopping districts in what’s known as the Minami Area.  This, too, was an experience:  crowds of people everywhere, mostly strolling or eating.  There were gritty narrow alleys off shopping arcades filled with shops, restaurants, and Pachinko parlors, which are so noisy that I can’t tolerate being inside for more than a few seconds. 



Waiting in line for Takoyaki
Takoyaki cooking
People were lined up for takoyaki, chunks of octopus in batter, cooked in a cast-iron round-holed muffin-tin, where the cook turns them many times with a think chopstick until they are golden brown.  I had just eaten lunch, so wasn’t interested in standing in line for half an hour to get a taste.  Next time.

I also wandered up Mido-suji, a wide avenue that reminded me of Fifth Avenue in New York:  all the high-end name brand stores are here, including a very crowded Apple Store, though this one is sheathed in what looked like matte stainless steel.

Bike parking
On an Osaka side stree
I’m only in Osaka for a few days and will be returning in April before going to Tokushima.  There is so much to see and do here that I may come back for another visit, so consider this a first taste of this huge, bustling, lively city.